Category: Mixing

This Picture Will Make Your Mixes Sound Better

February 26th, 2013 · · Mixing No comments

Black

To experience the magic for yourself, first set up this image to be your computer’s screen saver1, with either a hot corner or keyboard shortcut to trigger it. Then, whenever you need to get a fresh perspective on a mix, fire up the darkness.2

I’ll give you five bucks if your mix doesn’t instantly reveal itself (for better or for worse). Just as we “eat with our eyes,” this little trick makes it quite obvious that we hear with them as well. There’s something almost magical that happens when the pixelated waveforms disappear, as if the sound suddenly starts coming not from your DAW, but from directly from the speakers. The best part: Years after I’ve started using this brain hack, it still works.

  1. Of course, this assumes you’re mixing in front of a computer—an increasingly safe bet these days. ↩
  2. Yes, you could just turn off your monitor, but I, like many, prefer to work fast and from the gut when I’m mixing—so the four second lag it takes to power on my Dell display to tweak that guitar EQ is a first world bummer I can do without. Also: iMacs and laptops would otherwise be outta luck. ↩

Zen and the Art of Analog Summing

March 22nd, 2012 · · Mixing 9 comments

Zen and the Art of Mixing is a great read. Mixerman (AKA Eric Sarafin) has a knack for writing about a subject that normally defies the written word. However, there was one part of the book that really got my goat when I read it, and here I am, six months later, my goat still got. It can all be boiled down to this quote:

I can’t tell you why. I can’t tell you how. I can’t even prove what I’m about to tell you, and I can assure you that the DAW manufacturers, particularly Digidesign, will not only reject this claim but will actively try to persuade you otherwise through flawed white papers that most of you can’t understand and bogus comparisons that most of you wouldn’t know are bogus.

All DAWs bog down at the 2-bus.

For a book that proclaims, through its back cover blurb from Ken Scott, to teach “the Art [sic] of great mixing, not the pseudoscience,” that’s an awfully pseudoscientific claim.

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